Joe Biden’s son-in-law Howard Krein is an informal adviser to the Democratic presidential candidate on the response to the coronavirus pandemic, while simultaneously investing in health-care startups to address the pandemic, Politico reported on Tuesday.
Krein’s venture capital business, StartUp Health, announced in April that it would invest in ten medical startup companies that craft solutions to issues posed by the pandemic. At the same time, Krein was among several individuals speaking with the Biden campaign regarding its health policy.
The initiative by StartUp Health was dubbed the “Pandemic Response Health Moonshot,” language that echoes Biden’s own “Cancer Moonshot” project from his last year in the Obama administration.
Krein’s position raises questions about a possible conflict of interest for the Biden campaign. A campaign official confirmed to Politico that Krein was an informal adviser who has participated in calls with the candidate on pandemic response.
“I have little doubt that
“StartUp Health is putting the full support of its platform and network behind building a post-Covid world that uses technology and entrepreneurial ingenuity to improve health outcomes,” the firm said at the time.
Krein simultaneously advising the campaign and venturing into Covid investing could pose conflict-of-interest concerns for a Biden administration, or simply create the awkward appearance of Krein profiting off his father-in-law’s policies. Since the start of the coronavirus outbreak, the federal government has directed tens of billions of dollars in coronavirus medical spending in areas like testing and vaccine research to private firms. It is poised to spend billions more next year and possibly beyond.
The potential conflicts are not limited to the coronavirus for Krein, 53, a Philadelphia-based head-and-neck surgeon who got into venture investing not long after he began dating Biden’s daughter, Ashley, in 2010.
Since StartUp Health’s 2011 launch, when Krein came on as its
You may recall the early scene in Black Panther, in which Michael B. Jordan’s Killmonger organizes a heist (or, depending on your point of view, repatriation) of art from a Western museum. This is in no way a new debate, but a change in attitude at some of the world’s great exhibition spaces may indeed be coming.
An advisory committee has just delivered a report to the Dutch government one year in the making, according to The New York Times. It recommends the return of artwork to the Netherlands’s former colonies in Indonesia, Surniame and the Caribbean. Should the Dutch government follow the guidelines, it would mean an investigative body will look at an object’s provenance when requests are made, and create a publicly accessible national database of all the colonial collections in Dutch museums.
This follows the spirit of something begun in France in 2018, but